LucyLovesCircus

Monday, 11 August 2025

Chapter 224: On Cloud Swings in Life and Sturgeon Moons




"Lucy, if I gave you the sun and the moon, you’d ask for the stars as well," Mum would say to Little My, as Dad called me. She might as well have been channelling Barnum’s wife, Charity, in The Colours of My Life: “Your reds are much too bold, I’ll take my greys instead…”

This weekend, under the Sturgeon full moon, her words have been looping in my head like an artist on a cloud swing, because sometimes I do ask for it all.

I’ve just waved off an old school friend this morning, heading back to teach in China. She came bearing a copy of Samantha Harvey’s Orbital and a dozen Krispy Kreme “Saturn rings” for the family. We ate them while talking, as ever, about life, love, and the universe.

She recalled a moment of connection in China when she’d been struck by the thought that the same sun shining over there with her was shining here in the UK.

I know the feeling. Three years ago to the day, on the shore in southern Spain, I stood in moonlight, taking it all in, after hearing from my sister that my father had died. Xavier, our youngest, and I came with me to the beach and we stood in the shallows, reflecting, looking out across the water to Tangiers.

And I thought: this same moon has been watching over him and my family in Petersfield this evening. I imagined our father on that same beach seventy years earlier, in the 1950s, on the trip where he proposed to my mother. And yesterday, the sister who rang me with the news three years ago shared, on the Sisters WhatsApp, her own moon-over-water photo from where she’s currently on holiday. Funny old world, as Dad would also say.


In last night’s homily at church, or perhaps it was a recent podcast, my mind is slipping, the question was posed: When have you stepped into the unknown, not known where you were going… and it was a disaster?

The answer, if you’ve ever trusted the net, the water, the loving force beneath it all, is never. From the first time I stepped off the platform for the petit volant trapeze at National Circus, or published a circus blog post, to setting sail from La Rochelle for two years into the unknown and somehow ending up in Sydney Harbour on New Year’s Eve, the pattern’s been the same: fears, challenges, and ultimately the most incredible adventure to celebrate.


Friday night’s adventure was a Full Moon swim at Shepperton Lake. Carolyn and I drove there in my “teenage Mini,” so called because it’s as old as my teenagers and, like the best circus props, still works its magic.

We crawled through Friday rush hour, revisiting Carolyn’s childhood haunts as she had grown up ten minutes from Shepperton, as the boat rows, and rewinding memories until the lake appeared: a luminous ring under a setting sun.

No moon yet, but the water rippled to glassy.

We slipped among the satin sheets and swam towards the blazing light. It was both familiar and utterly unheimlich, uncanny. I could picture Dad there, ever one to embrace water, saying “This is the life” and then heading towards the ultimate source of all.


The last ones out at 8.01pm, we emerged from the lake giddy with laughter and sheer joy. There were half a dozen of us there, part of a wider group of Tooting Tits and open water swimmers, an inclusive life-embracing sisterhood of sirens.

I’d brought lentil crisps which balanced out the “caviar crisps” Bronnie had brought, that we’d gamely tried in sturgeon spirit. 

No sign of the blimming moon on the drive back, even with the roof pulled back. Finally, I found it walking halfway down our street at the witching hour, and there it was, bright and whole.

I looked up and thought: You’re that same moon from Petersfield, from Tarifa, from years ago every thus. Like the clown in this circus of life, mooning around (remember Tweedy in Giffords Circus show Moon Songs?!) thanks for the continuity.


Sunday brought an unexpected hangover from entertaining friends the night before. I missed morning Mass, curling up instead with The Narrow Road to the Deep North, a story of love, loss, and survival that triggered a memory from school days — of a friend’s father who, like the protagonist, had been a prisoner of war in a Japanese camp and had written a book about his survival, albeit after being taken out three times in mock execution.

I remember only his height, his glasses, and the gentleness in his manner and wonder if that kindness was shaped, at least in part, by having looked into the void and stepped back.

In the series, the protagonist copies out over and over to a lost love: You burn me, you burn me.  It called to mind the jisei, the death poems of Bashō and other Japanese poets, distilling life’s impermanence into a moment of beauty. I can relate to that same all-consuming yearning to have it all, for the sun, the moon, the stars…But our family clan motto is I shine, not burn.

It’s a delicate balancing act, really.


Yesterday morning, before my friend arrived, I finished We Are Still Here by Lamorna Ash while basking in the

Yesterday morning, before my friend arrived, I finished We Are Still Here by Lamorna Ash while basking in the garden. Her writing is stunning, student of the verse of Gerard Manley Hopkins, her writing is extraordinary, liquid poetry in prose, like Harvey’s.

She explores where her identity as bisexual Gen Z sits, visiting and interviewing a number of Christian communities, and as a writer, the performative aspect of faith. At one point, a young Quaker adult challenges her writing as a commodification of her journey.

I felt the echo. Years ago, I questioned my own right to write about circus, which, after all, was my religion at a time when I felt particularly distanced from my Faith with a capital letter. Circus became my life-giving all,  teaching me to be brave with every trick in training, every post shared publicly for over a decade.

That spirit, the risk, the discipline, the devotion, the compulsion, is still part of my ongoing pilgrimage.


We made it eventually to evening Mass last night, lighting a candle for Dad in the Lady Chapel. I think of Stella Maris, Our Lady, Star of the Sea. Yemayá in Cuban Santería, our patron saint onboard La Cigale, whose envoys were ever the dolphins on passage.

Ritual is its own trapeze act. There is no singing in the evening service, but in the morning Mass a hymn very often can be a cloud swing back to childhood when Mum and Dad were next to me, the age I am now. I can reach out to them, right there. Sometimes the sensation is so immediate, so vivid, that I have to look up to the ceiling, where a golden dove sits in the cupola, and blink back the tears.

Dad never had Alzheimer’s, though he lost his short-term memory; and that meant I could tell him the same circus or sailing stories again and again, honing the timing until they landed just right. “Did you really? Well I never!” The best captive audience ever. .

That last summer, I even brought my harp to play for him, still harping on in every sense.


Now, after an enforced year’s sabbatical for back surgery in April, I’m preparing for my return to teaching in the school classroom. The job I love broke me in the end, but a lesser-known family motto I discovered last week (in a book on the Scottish clans a friend from home dropped round to Mum's) reminds me: Broken, I rise, Fracta, surgo.

I’ve learned a lot over the past year, and my vulnerabilities make me stronger. Circus performers learn that lesson early in their career, you need only check out the hashtag #circushurts.


As if to bring that home, last night, in a dream with a surreal Hunger Games edge, I was invited to push myself into a pitch-black slide tunnel. The only way forward was to take a deep breath and drop into the enveloping darkness, relishing the stomach flips, heart in mouth, yet remembering to keep breathing, 4-7-8.

At the bottom? Stop. Go. A game of picking out a red moon and a green moon from among the sea of white balls and bowling each one successfully through hoops. The lyrics popped into my head: “Just roll with it, baby…” And this Sturgeon Moon made manifest in miniature. became another reminder to go with the flow.


The Sturgeon Moon, which can also be called the Green Corn Moon or the Red Moon, is said to be a time for abundance and mindset: a moment to be grateful for what’s already here, and perhaps to release from the depths a few wishes to set afloat.

We’re still in the grace period, and I find myself leaning towards giving thanks for what I already have, and imagining my yearnings as already realised, releasing my inner Barnum to the surface once again. And I’m curious about you, reader: what do you wonder, under the pull and ebb of this same moon?

Perhaps your question drifts out into the night like a jisei, catching for a moment in the silver light before dissolving back into the dark.

This is the life....on a boat called Serendipity, and a "dark and stormy" on the side.  Cheers! 








Monday, 17 March 2025

Chapter 223: Harping on about Circus and Happy St Patrick's Day!





Circus is a jealous bitch.

Early in my circus obsession, Irish harpist Ursula Burns — in Tumble Circus' show "Damn the Circus!"  — offered this blunt truth on the seduction and curse of circus. It struck a chord and landed with the subtlety of a slapstick pie in the face. Thinking back to it now, I have also come across empresario Henry Ringling’s observation that this bitch is "a wench, a ravening hag who sucks your vitality as a vampire drinks blood... wrecking homes, ruining bodies, and destroying the happiness of loved ones. And yet, I love her as I love nothing else on earth." A bit extreme? Maybe. But also accurate.

To understand why this resonated, I have to rewind to a brief encounter back in 2012 that inadvertently hurtled me into the arms of the circus. It was a couple of months after having my third child. Stretched beyond words, I agreed to hire a French au pair to help over the long summer holidays. I thought I was hiring a gallic Marie Poppins; instead, I ended up with a cross between Carla Bruni and Single White Female—but that’s another story. Finally, my husband got the picture and whisked me away for a date night. Going off to see The Hunger Games may not strike you as an obvious choice of romantic movies, but after a summer of pure survival mode, I needed to watch someone strong, someone fierce, winning at life — already, perhaps, a part of me was searching for that inner circus strongwoman.

As we approached Leicester Square, a huge crowd had gathered for some premiere at another cinema, and somehow, I found myself swept into the throng and next to Colin Farrell—making small talk, taking a blurred selfie of the pair of us, laughing, my turn of phrase relaxed into his Dublin brogue. "Will you look at that, Colin? It’s all blurred! I guess I’m just nervous. You see, I don’t get out much…" Dressed up to the nines in a favorite Victoria’s Secret dress paired with killer Louboutins, I get that he found that a little hard to believe. Then three little words from my husband brought me back. "Lucy. Come. Now." But that longing for more stomach flips continued as I spent the evening watching Jennifer Lawrence take tumbles and risk all as Katniss Everdeen. And then, like a lightning bolt, it struck me: I would learn to fly on a trapeze.

I spent the next five years charting where that quest led, swept up in the thrill of it all—until the circus, with its endless flips and flights, began seeping into every corner of our lives. The writing as much as the practice became an all-consuming passion, and marriage started to feel like a juggling act with too many balls in the air.

And so it was, before we lost our footing completely, my husband and I with our three children, cast off, setting sail for a life untethered—"throwing off the bowlines, leaving safe harbor behind," and chasing our wildest dream. For two years, we circus-navigated the globe on La Cigale, clocking up over 25,000 nautical miles in the process. And that, again, is another story. Like one possessed, I have legion…

Now, three weeks away from a simple yet life-changing back operation, after two years of managing chronic pain, I am asking myself the question again: What dare I dream? Clearing out my filing cabinet to carve out space and order my thoughts this morning, I came across my Irish passport and an Éire-ribbon with a golden harp on it. I pinned it on, while wrapping round my neck an emerald green scarf, a Bratog Bríde (blessed by St Brigid) for good measure. I went downstairs, and for the first time in six months, picked up my harp again. My fingers clunked up and down the scales, but gradually it feels like I am getting back in tune with life.

“Courage is the measure of our heartfelt participation with life, with another, with a community, a work; a future.” —David Whyte

Recently, I spent three hours attending an online seminar by the Irish poet David Whyte (See davidwhyte.com). His words on experiences of the "unordinary", the way he engaged with the sense of awe of the everyday in Jules Breton's painting of "The Song of the Lark", the gift of his own daughter's voice and his recitation of poems and observations impressed, stirring something familiar — the same call I felt when I first stepped into the circus, the same pull of community, of art, of shared experience. Circus isn’t just about performing; it’s about being fully present, about pushing through fear, about belonging to something bigger than yourself. Maybe it’s genetic. Maybe the touch of the Blarney Stone my Dublin-born Dad once kissed gets passed down from father to daughter. Or maybe those story-telling Southern Irish nuns who educated me for thirteen years have something to answer for. Either way, I long to fly again, and this time, I’ll do it through my words.

St. Patrick’s Day is the day to wonder that, one to celebrate the bold and the brave, the dreamers and the doers. What better time to raise a glass to those who fly high, who tumble and fall and get back up again? To the aerialists whose hands are calloused from rope burns, to the acrobats whose bodies bear the bruises of dedication, and the clowns who place their vulnerability centre stage. 

For the Irish in the circus, past and present, and for all who love the jealous bitch anyway—Sláinte!


Friday, 31 January 2025

Chapter 222: The Juggling Saint

 


Normally, the only thing I celebrate on 31st January each year is my sister’s birthday. But this year is a little different. A few weeks ago, I found myself in a school hall, listening to a headteacher introduce some professional training to staff. He began by showing us a picture of a juggler, a tightrope walker, and a magician’s hat and asked what they had in common.

Me! I thought. Obviously!  But nobody there knew me as "Lucy Loves Circus". Circus in general? Too obviouswhat’s the trap?!  While I paused to consider, a hand shot up.

"Don Bosco!" came the confident (and correct) answer.

Wait — what?! I was both surprised and curious.

I had heard of Don Bosco before—an Italian priest famous for his work with disadvantaged and at-risk young people. "It is not enough for a child to be loved; they must know they are loved," is one of his key quotes. I was fortunate to experience that knowledge first-hand, both at home and at the two convent schools that educated me.

The first convent, though located in Sussex, was home to 26 Southern Irish Sisters of Mercy, and if you’ve ever watched Derry Girls—though set north of the border—you’ll get the gist in terms of sharp humour, no-nonsense wisdom, and plenty of stories about the lives of saints and miraculous happenings. They certainly had my measure. I can still hear our very own Sister Michael, declaring, "Lucy Young, get up off that wet grass this minute, or it'll be another little holiday you'll be wanting...!"

The second convent, run by IBVM sisters (now the Congregation of Jesus, CJ), had a different character—more progressive in style and approach. In place of the traditional habit and wimple, the sisters wore home clothes, with a simple cross quietly marking their vocation. Being introduced there to the writings of Anthony De Mello bringing together Eastern and Western Christian spirituality—prayer through yoga, breathwork, and meditation—made a lasting impression, as did the strong emphasis on thoughtful reflection and questioning. One of the sisters even taught me to gate vault on long country walks in the hills—my first experience of legs flying over a bar, long before trapeze.

Both schools had one thing in common—aside from the fact they were also staffed by lay people of both sexes—the nuns set the ethos. They were fiercely strong, opinionated women who had no qualms about speaking their minds, were fabulous raconteurs (raconteuses?!), and were devoted to the principle that faith seeks reason, to quote St. Anselm.

But back to today’s saint: Turin-born St. John Bosco (“Don” being the title for Italian priests), known as the juggling saint. A century before my own education, he pioneered teaching methods that were innovative for his time—combining reason, religion, and kindness, prioritizing prevention over punishment. As a boy, he had been fascinated by local carnivals and fairs, teaching himself to juggle, perform magic tricks, and cross a tightwire—skills he later used in the classroom to inspire his students and ignite their imaginations.

He founded the Salesians of Don Bosco, a religious order dedicated to education and vocational training for young people, particularly the poor, inspired in turn by St. Francis de Sales—the 16th-century saint renowned for his gentleness. And, fittingly, the patron saint of writers, journalists… and, I imagine, bloggers.


Playing around with ChatGPT the other evening, I tried generating an image to share with the Salesian school community I had met, celebrating their patron saint’s circus spirit on this his feast day. But the AI kept inserting macabre details—memento mori imagery, particularly skulls—despite my prompts to remove them.

ChatGPT’s algorithms had a point. A saint’s feast day commemorates the day they died rather than the day they were born. As I’ve just discovered—rather belatedly—their death is seen as their dies natalis ("birthday into heaven"), marking their entry into eternal life with God.

For me, the AI’s eerie insistence on memento mori wasn’t entirely out of place. Classical philosophers embraced it as a reminder that we all die—not to instill despair, but to sharpen our focus on what truly matters. Seneca used it to avoid procrastination. For Marcus Aurelius, it gave life purpose. Epictetus taught that by keeping death in mind, we free ourselves from unnecessary distractions.

However, wary of how this might land with pupils, I kept trying to edit out the skulls —getting increasingly frustrated with each prompt revision, culminating (sixth or seventh attempt) with an exasperated: “NO, NO, I SAID REMOVE THE BLOODY SKULLS!!! …please!” It still didn’t register. Maybe I was too polite. Or overdid the exclamations!

In the end, I took matters into my own hands—quite literally—transferring the image to PowerPoint and using some copy and paste to cover the unwanted details with flowers. While Don Bosco might have approved of my sleight of hand, it was probably not very Stoic.


My stubborn battle against macabre imagery reminded me of another meditation on impermanence. Recently, I listened to The Miracle of Mindfulness by Thich Nhat Hanh, the Bhuddist monk who was a Nobel Prize nominee (nominated by Martin Luther King) and Global Peace Prize Winner. He describes a practice among young monks in training: meditating on their own mortality—visualizing their bodies decomposing, flesh returning to the earth, until nothing remains but dust. Morbid as it sounds, such reflections lead not to fear, but to a deeper embrace of life. Carpe diem.

On that note, Don Bosco also urged: “Do good while you still have time.” That phrase has been on my mind lately, as I approach a milestone birthday and feel an increasing urgency to get my words out—especially as my back struggles to keep up with my energy levels, and I find myself on standby for surgery, a stark reminder of time’s passage.

So, in writing this, what began with a professional development anecdote has taken me on a diversion— one with all the fun of the fair! Teaching, in many ways, is its own kind of circus act. We juggle responsibilities—lesson planning, pastoral care, endless administrative tasks. We walk a tightrope—balancing discipline with encouragement, structure with spontaneity.

Doing a litte more exploring this week, I discovered the Circo Social Saltimbanqui in Córdoba, Argentina—a Salesian social circus that embodies Don Bosco's legacy by using circus arts to engage and uplift young people. This initiative not only preserves the spirit of Don Bosco's innovative educational methods but also resonates deeply with my own personal Trinity: All things Spanish-speaking, the circus arts and my own speculative pilgrimage of faith.

Reflecting on all this, I realize that the best educators are those who not only see the wonder in the world but also find creative ways to communicate and share it. Don Bosco's transformation of a childhood fascination into a life-changing philosophy serves as a powerful reminder of the impact that passion, when combined with purpose, can have on the lives of young people worldwide. 

Click here: Circo Social Saltambanqui